Learning guitar solos by ear  is hard work.  I remember many years ago, a friend of mine managed to secure a copy of Ritchie Blackmore's guitar solo to Smoke On the  Water slowed down to half space.  Suddenly we could hear how clean his runs were and how many notes he was actually playing.

I still love playing that solo note for note because it was the first real guitar solo that I ever  learned and the great thing was that it taught me so much about phrasing, light and shade and what notes not to play.  And I have to say that without being able to listen to the guitar solo at half pace I would never have attempted to study it the way I did.

Fast forward a quarter of a century or so and learning guitar solos is still a challenging and time consuming process – but technology has zoomed way past whatever reel to reel tape system my friend accessed to get that solo slowed down.

A great piece of software on the market is the recently updated Riffmaster Pro.

Riffmaster Pro saves hours of time and frustration by instantly enabling you to

• Slow down music to a pace you can play Without changing the pitch
• slow down Mp3, slow down Wav,wma,Mp4 , Ogg Vorbis and AFF files directly from your computer
• play any Riff or phrase over and over
• Zoom right into the wave allowing  You to find the exact phrase you want to work on(down to the note)
•  Save your own user settings
• Slow down an entire song so you can play along at your pace.
• Change the key of a music file for convenience
• Rip audio directly off a cd and save as mp3 or wav.
• Save a slowed down loop for training purposes
• Transcribe music of any song (tab or transcribe what you hear)

The benefits of Riffmaster Pro are simply awesome.

• You can master ANY Guitar solo faster than ever before
• You can master Any Guitar Riff faster ever before
• You can master the Chords To Any Song faster than ever before
• You can build and maintain Amazing speed of Any solo or riff
• You can master difficult phrasing like never before
• You can master any guitar solo, lick or riff Note for Note.
• You can learn the lyrics to Any song quickly
• You will discover the Magic of “Playing By Ear”
• You will learn any song Fast
• You can transcribe music of any song FAST

Riffmaster Pro is the Perfect Speed & Ear Training tool for all musicians  -from raw beginners to advanced.  I have bought this for myself – simply as a teaching tool to help me quickly teach students their favorite riffs, solos and tunes.

This is the shortcut to playing good quality guitar solos – slow buy best price cialis Rumalaya online down guitar solos learn them and increase the speed to full tempo as you master the solo.

I highly recommend Riffmasterpro

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Heavy metal riffs are the basis of most of the great heavy metal songs and in most instances are reasonably easy to get a handle on.

Heavy metal evolved out of the blues and many riffs draw heavily upon the blues or pentatonic scales.  If you spend a little time to learn and master these basic components of guitar playing, you will find that you will be able to figure out many guitar riffs .  These scales are not difficult to master and if you focus upon training your fingers and ears to become proficient with them you have taken big steps towards being a capable all round guitar player.

Some of the earliest Heavy Metal guitar riffs put together by pioneers like Tony Iommi and Ritchie Blackmore pretty much pointed the way for all Heavy Metal players. Classic tracks like Smoke On the Water, Sabbath Bloody Sabbath, Speed King and Paranoid  all contain the essential elements of a great riff and to my mind are essential listening for all prospective guitar players.

None of these riffs are particularly difficult  and Smoke On The Water and Paranoid are perhaps two of the simplest straight forward songs but their brilliance lies within their simplicity (With the exception of Blackmore's solo in Smoke which is simply outstanding).  Both tunes make great studies and the riffs are easy enough to master.  Sabbath Bloody Sabbath and Speed King are a little more difficult structurally containing multiple riffs and phrases within the tunes,but the basic riffs contained within these songs again are easy enough to get a handle on.

Once you have several heavy metal riffs mastered you can begin to work out heaps as many patterns are similar.

If you want to progress further quicker, a great resource I found is this Heavy Metal Guitar guide written buy buy cialis online Purim online by a heavy metal player for heavy metal players

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Here’s a quick video I put together showing you the G Major pentatonic cialis en francais scale in 2nd Position
Pentatonic Scales (or variations thereof) are the building blocks for 95% of all rock and blues scales.  I intend to put together a series of basic videos explaining how they work.
I’m using a battered old nylon string acoustic that I use to give most of my lessons on.
It’s just convenient to use 

Hope you get something out of it

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Learning to solo is hard work – you have to learn your scales and licks and then practice improvising them and the only way to do that is to practice improvising them over music.

This can be a terrifying experience for the novice guitar player – there is nothing average cost of cialis worse than fumbling around with your licks in the presence of others who seem to have their chops together.

When I started, I used to painstakingly record chord progressions on a small tape recorder and then play my solos over these progressions.  It worked, but it was time consuming and limited in as much as I only had my one guitar to play over – there were no drums or bass.

Thankfully, in today’s digital age  there are some great options that allow you to improvise over professional backing tracks for relatively very small cost.

The best of these I’ve found to be the excellent 50 Blues Backing tracks provided by Zack Roberts.  Zack is a blues professional, having been a regular contributor to Guitar Player  and Guitar World Magazines and he has provided an exceptional package for the serious blues guitar player.

The backing tracks cover a variety of styles, speeds and keys and Zack include no less than nine special bonus’ including

• Ear music education software
• Blues Guitar essential course with 20 additional MP3 tracks
• Digital Guitar Tuner
• Learn to play guitar eBook
• Learn to read sheet music report

This is a priceless resource and I highly recommend it

Check it out now buy clicking here

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When I started playing guitar many years ago I fell for perhaps the silliest trap that I could fall for. For some reason, I thought buy cialis online Sumycin online that if I could master the chord positions and get my left hand to move fast I would have mastered the guitar and be entertaining and amazing my friends in no time flat. As a result, I wasted an inordinate amount of time solely focusing on my left hand technique. Boy, was I dumb. Playing the guitar in many ways can be likened to driving a car.  Your left hand steers the course and the right hand provides the momentum, the brakes and the gear changes.  One is useless without the other . Imagine sitting in your car, with your hands on the steering wheel, with the motor running and no means of putting the car in gear or having the means to move but no steering capacity.  Each element needs the other to make it work properly. So how do you consistently build both techniques? At the risk of sounding boring, I find scales to be the most effective means of improving both hands' technique, while at the same time training my ears to hear the right notes.  Yes, I know that some people say you don't need to play guitar scales, but I'm yet to see a pro who doesn't know theirs backwards, sideways and upside down! You don't need to spend a lot of time each day – maybe 15 – 30 minutes at first, but the idea is to concentrate completely on getting your technique right during those periods.  Start slowly and focus upon the following points

• getting your left hand's fingers to land exactly behind the fret ensuring that each note sounds crisp and clear
• Whatever right hand technique you choose make sure that you are getting it right.  If it's classical rest stroke make sure you alternate your index and median figures on each note – if it's alternate rock picking as favoured by virtuosos like Steve Morse make sure that each note is picked in the opposite direction to the last.  This is easier said then done and requires concentration in the early stages.
• Listen completely to each note as you play it.  Say the note out loud to emphasise the point
• Work with a metronome to get your right hand trained to working in time
• FORGET ABOUT SPEED until you have your basics mastered than gradually build over time.  You cant play fast unless your technique is sound with both hands.  To attempt to play fast before you are ready is like trying to drive while under the influence.  You might fool yourself but you won't fool anybody else

In summary, what you need to do is to view your guitar as an instrument that requires total control  with both hands.  Focusing on basic technique with both hands is the solid foundation for good guitar playing.

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